HAMADA SHŌJI attained unsurpassed recognition at home and abroad for his simple approach to functional ceramics. Early on he worked with Tomimoto Kenkichi (1886-1963) and Kawai Kanjirō (1890-1966) in Kyoto at the Kyoto Ceramics Research Institute. Inspired by Okinawan and Korean ceramics in particular, Hamada became an important figure in the Mingei (Japanese folk arts) Movement in the 1960s and was a founding member of the Japan Folk Art Association together with Bernard Leach, Kawai Kanjirō, and Yanagi Sōetsu.
After 1923, he moved to Mashiko where he rebuilt farmhouses and established his large workshop. Throughout his life, Hamada demonstrated a wide range of painterly glazing, using such trademark glazes as tenmoku (iron), nuka (rice-husk ash glaze), and kaki (persimmon glaze). Through frequent visits, exhibitions, and demonstrations abroad, Hamada influenced many Western potters and his legacy continues to do so. He was designated a Living National Treasure in 1955.
Very large shallow bowl with nuka (rice-husk) white glaze ground with ladle-poured iron-glazed black trailing design
19 3/4 x 4 1/2 in.
Square bottle-vase with vertical bands and patterning in red and green glazes and persimmon glaze
9 1/2 x 4 x 4 in.
Vessel with resist patterning
10 x 8 1/2 x 8 in.
5 3/4 x 21 in.
Iron-oxide glazed tsubo
8 7/8 x 9 1/2 in.
Square bottle vase with dark greenish-black, dripping, painted designs on sides
9 1/4 x 4 1/8 x 4 1/8 in.
Curved and flattened jar with creamy white, dark grey and black bleeding glazes
9 3/4 x 9 1/2 x 4 5/8 in.
Iron-glazed rectangular vessel with nuka-glazed circular medallions with plant motifs and faceted octagonal mouth, ca. 1960
10 x 5 in.