Yagi Kazuo

(1918-1979)

Born in Kyoto on July 4, 1918, YAGI KAZUO was the eldest son of ceramist Yagi Issō (1894-73), who excelled at works inspired by Chinese Song Dynasty ceramics. After graduating from the sculpture department of the Kyoto Municipal School of Arts and Crafts (currently Kyoto City University of Arts), Yagi Kazuo became a student at the Ceramics Research Institute in Kyoto, and in 1946 took part in establishing the Young Pottery-makers’ Collective, which was disbanded in mid-1948. Later that year, he co-founded the avant-garde group Sōdeisha as a vehicle for expanding the expressive possibilities of clay.

Yagi focused on the creation of “objects” — neither pure sculpture nor simply vessels. In 1954 at the Form Gallery in Tokyo, he exhibited his now iconic work “Mr. Zamsa’s Walk,” which marked his radical repositioning of the potter’s wheel as a mere mechanical tool instead of the determining factor in the forming process. However, like his Sōdeisha colleagues, Yagi began with utilitarian vessels inspired by modern Western art. In 1962, together with Yamada Hikaru, he established Mon Kōbō (“Corner Workshop”), in which Yamada was responsible for the functional forms and Yagi for the surface patterning.